The post-apocalyptical barren land mentioned in the script couldn’t be found in the area, even though we were in the middle of the desert. The absence of adequate transportation for the cast and crew was an impediment.
Lucius’ mom offered her house, and the front yard was used instead. The post-production team, along with the special effects department would be working overtime. —and for free also— Luckily, the old camera from the 90s came with a zoom. Now, we could turn the miniature Godzilla into a monster bigger than the Statue of Liberty. The trick was to experiment with new tricks. Sometimes, dumb ideas look good on film (or digital.)
Halloween decorations were set. A huge inflatable menacing cat was the main attraction. It moved its head sideways. The dark pessimistic story also mentioned humongous spiders devouring humans. If only we could find a little spider.
The scene called for Lucius’ immense abilities as a ninja warrior to save Katana Luna —his one-year-old little sister— from the ferocious cat and its deadly claws. The director told Lucius to ignore previous instructions. Instead, this time he should look at the camera. He had to imagine the camera was the enemy and that he was attacking a powerful enemy. The camera was placed on top of a two-step ladder. No funds were available for a tripod.
Katana Luna was at the mercy of the monstrous feline, only a few feet away. The cat seemed to be enjoying the moment. It took its time intentionally, knowing that its future meal had no escape. The cat prolonged the suffering by moving in slow motion towards the victim. Inch by inch, the cat approached Katana. At that precise instant, nobody had any idea how Katana could be saved.
Out of the blue, Lucius Night appeared in a close-up with a sword in hand attacking . . . the camera?
Brando had never been this good.
Of course, the movie was never finished.
The budget was so low; we couldn’t get a replacement camera.
